Wednesday, November 12, 2014

"Nightcrawler" - A Re-Breakthrough Performance by Jake Gyllenhaal

How do you describe "Nightcrawler"? Hmm.. I liken it to "Drive", "American Psycho" and "Taxi". Haven't seen any of those? No need to fear. I'll obviously go into more detail.

The story begins by following Gyllenhaal's early 30s character as he aimlessly looks for any type of work in Los Angeles, CA. He stumbles upon the idea of filming graphic/shocking imagery and then selling it to news stations.

Slowly, we begin to understand Gyllenhaal's character. It is revealed that he is a highly functioning, highly driven sociopath. He's willing to go to any lengths in order to be the best at what he does, which includes very unethical and highly manipulative actions. We are brought on this turbulent journey and want him to succeed but by the film's end we may be feeling differently.

Examining consumerism at a hysterical level(shock value TV) is the important message here. This is done as an almost cautionary tale. We constantly want this shock but what about the means in order to get it? We lose sight of our own ethics and everything becomes meaningless.



The direction and especially the acting by Gyllenhaal made this movie. This film is a marking of a new phase for Gyllenhaal (god, I hate typing his name). I'm quite happy with his recent turn in films: "Source Code", "End of Watch", "Enemy", and "Prisoners". Even the supporting actors really draw you into this filthy world where you just cannot look away.

If you want to immerse yourself into an original and engrossing story, look no further.

Overall grade: A-

"Interstellar" is Muddled, Ambitious, and Ultimately Underwhelming


Never has a more ambitious film been such a disappointment. Now, I'm not saying this was a bad film by any means. I've seen A LOT of bad movies, and most on purpose (for kicks). Anyways, I believe one of the two messages of this film is very important and conveyed perfectly in the first half and then muddled and essentially compromised towards the end. 

The message (or 1st message in this case) is that humans are destined to conquer the stars and leave this rock we call Earth, especially when the planets forecast is not at all favorable. We have Matthew McConaughey's character blatantly state this and of course when he is chose to pilot a spaceship through a wormhole to another galaxy to explore potential habitable planets, he quickly says goodbye to his family. The relationship between himself and his two kids (daughter and son) is examined to give weight and then of course tested by his need to leave the Earth and perhaps never come back. This, of course, is the second message. Leaving family and loved ones is difficult.

Immediately, we are in space and follow McConaughey and company as they venture into the wormhole and how they plan to use their time to explore the planets surrounding a black hole (which, by the way, isn't possible). McConaughey attempts to use time sparingly as every hour on said planet will be the equivalent of 7 years in Earth's time. Relativity plays a large role with how it has kept those away from their loved ones for extended periods of time and this is when things begin to get muddled as I mentioned earlier. 

So, how is it possible to promote the idea of humanity and its exploration of the stars when the central characters are obviously troubled with leaving in the first place? Love is even examined as a 'force' in this Sci-fi film. This is very aggravating. The climax of the film is slightly clever, but ultimately underwhelming. This leaves viewers confused. Is our protagonist questioning his decision to leave Earth? Then when 'other things' happen (I do not want to spoil anything) our hero immediately goes back to 'the mission'. It is this lack of focused message or tip-toeing that will leave some wondering why Nolan and his brother would write such a story. I know that such a decision is difficult but what is essentially important? You cannot put one foot on each side of your decision. Do we tie ourselves to this rock or examine the unknown as the Earth is in its final stages of supporting human life? 

Outside of the muddled message and overall story, "Interstellar" does succeed on some levels. The dialogue was decent and the performances were all very strong. The special effects were great but not groundbreaking and the musical score from Hans Zimmer was surprisingly not epic in sound(repeating theme throughout entire movie). Cinematography was done by someone else because Wally Pfister was busy filming his own movie, the terribly reviewed "Transcendence". Pfister has worked on almost all of Nolan's previous films. The look of the film was not nearly as crisp as you'd expect or involving. The cinematography was more in the line of "Man of Steel" and recent Terrence Malick films. Unfocused (purposefully) at times to give it a more 'realistic' feel of a handheld camera, which just annoys me to no end. Also, there is a subplot involving a surprise cameo that does not progress the story in any way whatsoever, leaving you in the theater for an extra 25 mins. The total running time is 2 hours and 49 minutes. 

"Interstellar" does make you think though. I'll give it that. I guess with an almost 3 hour run time, connecting the dots from the first 20 minutes of the film to the last ones did prove a little difficult. I appreciate the movie for what it is and that it even exists. It gets people talking and promotes the idea that exploration is absolutely necessary for our race to survive. 

As a film, there are simply better provocative, space movies/TV series out there. See: "Sunshine", "Moon", "Battlestar Galactica"

Overall grade: C+

Tuesday, August 26, 2014

Why the movie "Trance" is Mesmerizing, Fulfilling, & Thought Provokingly Romantic

Danny Boyle has made some strange, yet ultimately unforgettable movies over the course of his career thus far. Sure, some will cite "Trainspotting", "Slumdog Millionaire", "127 Hours" as great films and some may even recollect how great the sci/fi film, "Sunshine" was.

Boyle has a movie for everyone and that's what makes his films so special. My personal favorite is his under seen film, "Trance". Though it may not be for everyone, if there are those that enjoy stories about dreams, the idea of reality, hypnosis, or how susceptible the human mind is then I say "see this movie now".

"Trance" follows the story of an art auctioneer named Simon (played by James McAvoy) involved in a painting heist. Hit upon the head during the event, he must remember where he put the painting as dangerous criminals attempt to coerce the truth out of him. Enter hypnotist, Elizabeth Lamb (Rosario Dawson), who's hired to help figure out Simon and his memory loss. 

Upon initial viewing, you are unsure where the story may be going and this is a good thing. The story and its characters' intentions are weaved in such a way that you are unsure who the true protagonist really is. Smart storytelling and excellent performances are other great reasons to see this original thriller. Let's not forget that James McAvoy is just killing it right now - with his praised upcoming "Filth" movie and, of course, the newer "X-Men" films as the pre-bald Professor X. 

The music in the film is by Rick Smith, from the electronic band, Underworld. I honestly do not know how the film could have been nearly as effective without its score. It's layered, dream-like feel perfectly captures the 'soul' of the film and is also nice to play when not watching the movie and wanting to simply relax.


With its excellent visuals to boot, "Trance" really is something unique and dream-like. As the movie explores multiple ideas, it was the notion of how and why we remember what we do that is truly fascinating. Moreover, this notion is something that is romanticized in a couple of scenes in the film. 
Overall Grade: A+

Thursday, August 21, 2014

Why I haven't read "Wonder Woman" by Brian Azzarello until now is beyond Me!

Look, I love Wonder Woman but I have always really seen her as a side character (see: Justice League). Now, I'm not saying I'm sexist by any mean but it's all about relate-ability, right? Wrong. A most definite wrong, especially in this case. 

If you are familiar with Azzarello's work at all, you may note that his comics are 'grittier' than most and more graphically violent and sexual. With his work on Wonder Woman (starting from the New 52 reboot), it is all of this and more. Wonder Woman (I just love typing her name out every time) makes a shocking discovery about her origin and goes on a quest of sorts. This quest brings her into contact with many Greek gods, including Hermes, Hera, Apollo, Hades and Poseidon (to name a few). All of these characters play well (not really) with each other in their already rich, already known, backgrounds. It's the dynamic between each of the gods, including Wonder Woman and her team that makes this journey very interesting. 

With that being said, Wonder Woman is a straight up bad ass and has completely changed how I felt about her. Pick up the books or trade paperbacks! 
Overall Grade: B+

Tuesday, August 12, 2014

Why "The Neverending Story" film is Great


It's been almost 30 years since the Wolfgang Petersen movie, "The Neverending Story" came out. The film is almost exactly as old as I am. Oh, and they (the movie studio) will release a 30 year anniversary Blu-Ray on October 7th!!! Yes, it has been remastered and includes recent commentary from the director.

Nostalgia has always been a reason to like movies like "The Neverending Story" but the thing that is different this time around -- upon recent viewing, it is STILL good. Amongst a decade of classic movies -- "Ghostbusters", "Gremlins", "48 Hours", "ET", "Amadeus"(if haven't seen, stop everything and watch now), "Die Hard", "Top Gun", and "Princess Bride", "The Neverending Story" stood out in the genre of Sci-Fi/Fantasy.

You see, the audience became the protagonist in the movie. As the reader of a special book, we react when Bastian(our protagonist) reacts. We are, essentially, more invested than usual. Of course, there are fantastical characters -- (see: flying dog, a rock biter, a guy wearing a top-hat whilst riding a speeding snail) and a totally 1980s soundtrack but the story's fate rests with us as we want Fantasia to survive.


Perhaps the most important message about the film is that the power of a book can change your world. It can bring you outside of yourself, it can help you see something within yourself, and it can help you dream. This is what occurred with Bastian and how bullies were after him daily, how he viewed education and how he felt distant from his family. This is not just a kids movie. This film stays with you but not for the reasons you'd come to expect, at least not from the surface. Grade: A+

Seems like I've been giving very positive reviews lately. Well, I'm sure that will change once I see some upcoming movie releases.

Until next time...

~Nitro